New toy from @japancamerahunter Thank you!
Shark fin demand has gone down so much in China, is it because people now understand how the industry works?
Chan: Yes! In the old days, nobody said where the sharks came from, where their fins came from. I think human beings, everybody has a good heart. When they see what’s happening, they stop eating, they stop buying.
We need education, day by day and month by month, to teach them. If we can use celebrities and famous people at the same time, we can correct and right things more quickly.
A First Look at VICE News with Shane Smith
VICE founder Shane Smith gives you a behind-the-scenes tour of the new VICE News headquarters, and offers a sneak peek of the Vice News site and the exciting new documentaries coming in 2014.
Whether or not he was willing, Eric Andre got booked by the police after invading a town hall meeting in Rancho Cucamonga for The Eric Andre Show.
Watch the whole story as told on Conan here and applaud Andre’s commitment to a bit.
President Obama and his opponents have a lot of analogies for the government shutdown, so on last night’s Daily Show, Jon Stewart delivered one of his own.
Click here to watch.
God bless Jon Stewart
At Tour De Fat, half a block away from my house!
Phones Are Better Than People
You’ve likely already seen I Forgot My Phone, the short film by Charlene deGuzman that dramatizes our dependence on smartphones. It’s pulled in almost 20 million views and counting thanks to that magic social-media formula of saying something everyone pretty much agrees with: we’re all hopelessly and pathetically addicted to our devices, which makes us tragically unaware of the fragile beauty of real-life moments passing us by on gossamer butterfly wings of authenticity.
The message at the heart of the film is yet another argument that technology erodes our genuine relationships and makes us stupider and less empathetic. You’ve likely heard a variation of this before—cell phones, or the internet, or computers, or television, are making things worse. As usual, it’s wrong.
Granted, smartphone abuse is a real thing—according to one study, 72 percent of Americans said they’re within five feet of their mobile devices at all times, and 9 percent said they used their phone during sex. In another survey, 51 percent of UK residents said they experience “extreme tech anxiety” when they’re separated from their phones. And common activities like texting or using social media trigger our brains’ dopamine and opioid receptors in much the same way narcotics do, meaning you can really be “addicted” to Facebook. But while it’s certainly reasonable to argue that we should draw the line somewhere—tweeting while driving is clearly dangerous, for instance—it’s not clear where that line should be.
Consider some familiar scenarios, some of which crop up in deGuzman’s film: you’re at a concert, or a restaurant, or a sporting event, and you take your phone out to take a photo or a video or send out a Tweet or Facebook status. OH NO YOU ARE MISSING OUT ON THE WONDERFUL EXPERIENCE OF BEING WITH OTHER HUMANS!
Yeah, right—have you met most people? They’re boring as shit. More likely, you are avoiding an awkward or boring conversation by checking your phone, or you’re communicating with those you’d actually like to talk to. Before smartphones, people dealt with these situations by drinking too much, pretending to be interested in someone, or just staring at the clock until the party was over. We’re not missing much if we duck into our phones instead.
The Art of Taboo – Ren Hang
Being a radical artist in China is a pretty tricky prospect. Considering censors banned paradigm of inoffensive banality Katy Perry from the country’s airwaves for supposedly being too vulgar (and not forgetting that time authorities made Ai Weiwei disappear for posting seminude photos of himself online), you would have thought that Chinese photographer Ren Hang would lay off filling his portfolio with gaping buttholes and models pissing on each other, or sustaining his unparalleled level of dedication to photographing erect penises.
But he hasn’t, which is a good thing, because his photos are great—somehow managing to desexualize naked bodies and turn them into sometimes funny, sometimes beautiful, sometimes gnarled, hairy, human-shaped sculptures that make you want to get naked with all your friends, paint your dick red, and hang out on a roof in Beijing. Which is basically the end game all photographers are going for, right? I wanted to talk to Ren about his work, so I did. Here’s that conversation.
VICE: First off, why is everyone naked in basically every single one of your photos?
Ren Hang: Well, people come into this world naked and I consider naked bodies to be people’s original, authentic look. So I feel the real existence of people through their naked bodies.
Is that why the bodies aren’t presented in a kind of conventionally “sexy” way, even if the photos are sexual?
No, I don’t take photos with any particular purpose or plan—I just grasp whatever comes into my mind, arrange that in front of me and take a photo of it. I don’t pay too much attention to whether a scene is sexy or not when I’m taking photos.
Yeah, a lot of the bodies end up looking more like kind of grotesque sculptures.
That’s not really intentional, although I do consider bodies as sculptural—or, as you say, grotesque sculptures—so I suppose the sculptures exist because the bodies exist.